
EIGHT

Logline
After consuming an octopus Ariel starts to experience unsusal symptoms of pregnancy. As the lines between vision and reality blur Ariel must navigate the reality of her identity.

ETHOS OF EIGHT
EIGHT explores pregnancy psychosis, and the black mother mortality rate, through the lens of fantasy and surrealism. Playing on a number of themes, including the concept of preying on an intelligent species (octopus), toxic relationship dynamics, and the horrors of experiencing a mental health condition, this project breathes real life terrors into fiction, both as a mirror - and an escape from - realitv.
Pregnancy horrors have been explored often in screenplavs - but the approach here is different; here, the threat is not the child, the invasion, but the world which cannot be trusted with a vulnerable black mother.
As a writer, I am passionate about mental health, socially conscious storytelling, and ultimately, emotive, memorable stories. I seek to explore powerful issues through fantasy, horror and unreality.
I developed EIGHT because of my own experiences as a black woman, struggling with mental health conditions. My desire to have children was lost in the fear of the consequences of physically giving birth and the impacts it can have on the mind.
For hundreds of years, there has been an invasive belief that black people feel less pain than other races; this was used to uphold slavery. In a time where women were thought of as weak and fragile, the belief that black women couldn't feel pain like other Women, eased colonial consciences.
The mortality rate for black women during pregnancy/labour is awful in Britain. Pair this with the wave of viral content about healthcare discrimination - and women consistently being misdiagnosed by misogynistic doctors. With everything from MS symptoms to cancer symptoms being blamed on periods and weight.
The mortality rate amongst diasporic black women during pregnancy (in the West, especially) is not mimiced across Africa.
So why are we dying?
In response to the revelations that are making their way onto the news and social media, now is the right time to bring this narrative into the zeitgeist.

DIRECTOR
CHANTELLE AMPOMAH ABORAAH
CHANTELLE is an awarded director of the Visionary Filmmakers Programme, with a BBC-funded short film NIA, which screened at both Oscar-qualifying and BIFA-qualifying festivals. NIA has recently secured distribution with streaming platform Minute Shorts. Chantelle is a selected participant for BFI Directors Lab, Channel 4 / We Are Parable: Momentum programme, and UK Film Development Set Access, designed to mentor and teach upcoming filmmaking talent. She is a television and film professional with a strong background in story/script development, and production.
WRITER
PHOEBE YEMI ARA
PHOEBE is a WFTV Kay Mellor Emerging Writer London Library Emerging Writer Pan Macmillan Writer on The Rise and HarperCollins Author Alumna of screenplays and fiction; her work has ben longlisted for the Hodderscape Mo Siewcharran prize for fantasy, the Penguin Write Now prize, as well as Sundance. She works within film/tv production and script development, having worked within the TV/ Film development teams at Sony Pictures Television International, as well as Sky Studios, Sky Cinema and the multi award winning Nexus Studios. In addition, she serves on advisory groups seeking to improve diversity within the film/tv industry. She founded Empire Cosmic, a hybrid film/tv and graphic novel development company.
PRODUCER
MAXINE GORDON
Maxine is a BAFTA-Nominated Television Producer renowned for her observational documentaries in the UK and USA, compiled several prolific music documentary series for Channel 4 and the BBC.Notably, her collaboration on BF| Doc Society funded short documentary, The Archive: Queer Nigerians garnered critical acclaim, winning Best Short Film at the BF| London Film Festival, nominated for Best Short Documentary at Raindance and Longlisted for BIFA; the film has since been screened around the globe. Gordon's experience in factual and fictional mediums will ensure 'Eight' is rooted in reality, whilst immersing audiences within a surrealist world Gordon is currently producing a BF/Eleven funded short film about sex trafficked sisters. Gordon's ability to navigate varied creative landscapes and craft compelling narratives reflects a dedication to storytelling that resonates deeply with audiences